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Quran and Diwan Muazi

The influence of the verses of the Holy Quran on the court of Amir Moazi Neishaburi

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In the school of Islam, there are many perfect, outstanding and exemplary people, and they all have an external reality. They have a tangible and objective existence. In the Holy Qur'an, all divine prophets, pure men and women have been introduced as the ideal embodiment of a perfect human being and a model of humanity.

"Amir Moazi Neishabouri" is one of the brilliant figures of Persian language and literature. His divan is full of Quranic verses, hadiths, mystical words, philosophy, jurisprudence, techniques and literary works. In this research, the author has tried to study and investigate the effect of the verses of the Holy Quran on the poems and Diwan of Moazi. On this basis, after explaining the concepts and generalities of the subject, he has introduced and explained the verses of the Holy Quran that are directly or hinted in Moazi's poems.


In the school of Islam, there are many perfect, outstanding and exemplary people, and they all have an external reality. They have a tangible and objective existence. In the Holy Qur'an, all divine prophets, pure men and women have been introduced as the ideal embodiment of a perfect human being and a model of humanity.
Among those educated in Islam, whose purity and infallibility are guaranteed by the Qur'an and hadiths, are the Ahlul Bayt of the Prophet of Islam (PBUH), and this pure family is the most obvious and advanced school that has been embodied in the form of human beings. Their character is the same as the character of the Messenger of God (PBUH) and according to the verses of the Qur'an that have been revealed about them, they are pure and beautiful from every kind of filth that others are contaminated with, and the power of infallibility guards them. I draw the attention of the dear ones to the honorable verse of purification.

Contrary to the opinion of some researchers who consider Moazi's words nothing but worthless praises, Moazi's poetry does not lack anything from its predecessors, such as Farrokhi, Elenari, and Manochehri; Although some scholars have considered him as their follower. In the author's opinion, the freshness of the Persian language in the 5th century AH, as can be seen in the prose of Abul Fazl Beyhaqi, the author of Tarikh Beyhaqi, can also be found in Moazi's poetry, with a little concession.
Shadarvan Abbas Iqbal Ashtiani writes in his short introduction to Amir Moazi's Diwan: "Mozzi is a poet in every sense and his words have a powerful effect on a connoisseur who is attached to eloquence and eloquence. They don't enjoy themselves and in order to understand the truth of this verse of divine grace, they find themselves in need of tearing it apart and putting its parts under a critical microscope. According to the god of taste, Anatole France, they are signing a document of their lack of taste, and the beauty that is nothing but fitness and The balance of all parts is not, in studying separate parts and looking upside down, body parts are considered separate from each other. Muazi is a poet whose duty and job, in connection with the position of the emir of poets, required him to be a praiseworthy poet and fulfill his mission in this position, therefore, it is unfair to expect something from such a poet other than the performance of his duties. be asked It should be seen whether he pulled his cloak out of the water in this way as he deserved and the requirements of the covenant required or not..."

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نویسندگان
رضا‌ دهمرده
قطع
وزیری
صفحات
252
نوع
نسخه چاپی فیزیکی

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