Rokhshande Etisami, known as Parvin Etisami, born on March 25, 1285 in Tabriz and died on April 15, 1320 in Tehran, is an Iranian poet. She has been mentioned as "the most famous female poet of Iran". His father, Youssef Etsami, was one of the poets and translators of his era, who played an important role in shaping Parvin's artistic life and discovering his talents and taste for writing poetry.
From a young age, Parvin got to know constitutionalists and cultural figures and studied literature with his father and from professors such as Dehkhoda and Malek al-Shaara Bahar. During his childhood, he learned Persian, Arabic and English languages under his father's supervision at home and after that he went to the American school and finished his education in Iran Church in 1303. He was an excellent student in all his years of education and even taught English language and literature in the same school for a while. Along with his studies, he also writes poetry.
Parveen recited his poems in the presence of poets and scholars such as Ali Akbar Dehkhoda, Malik al-Shaara Bahar, Abbas Iqbal Ashtiani, Saeed Nafisi and Nasrallah Taqwa, who were friends of Yusuf Etisami and sometimes came to his house, and was encouraged by them.
The themes and meanings of Parvin's poems describe his deep attachment to his father, his great talent and passion for learning knowledge, his spirit of anti-tyranny and opposition to oppression and oppressors, and support and expression of sympathy for the deprived and the oppressed. Parvin's poems are often devoid of personal and social events. Among his poems, there is no poem with the help of which one can clearly identify the poet. From the point of view of expressing concepts and meanings, Parvin's poetry is mostly in the form of "debate". There are more than seventy examples of "Question and Answer" debates in his divan, which made him outstanding among Persian poets in this regard. These debates happen not only between humans, animals and plants, but also between all kinds of things such as needles and threads. In expressing his intentions, Parvin has used a lot of characterizing arts, imagination and illustration, with a unique style.
In general, the reviews of Parvin's poems are positive. Parveen is mentioned as "the most famous female poet of Iran". In the first two or three decades after Parvin's death, he and his poetry were not much liked by intellectuals and innovators. Ali Asghar Dadba writes that a large number of literary critics consider Parvin to be a great poet and compare him with the first-rate poets of Iran. In his article, Haddad Adel introduces Nasrullah Taqwa as one of the critics who compare Parvin with first-rate poets. Malik al-Shaara Bahar describes him as "the quarter of Dehr". Mohammad Qazwini describes Parveen as "newly developed Azhar" and "Queen of Women" and equates his poems with Nasser Khosrow's poems. Nader Naderpour considers Parveen to be the first woman who was a poet in the real sense. Mohammad Ali Jamalzadeh considers his poetry better than Hafez and Saeb Tabrizi in terms of independence and originality.
Mohammad Ali Islamindoshan also considers Parvin to be the greatest female poet in Persian literature. Gholamhossein Yousefi, Abdul Hossein Zarrinkoob and Saeed Nafisi have considered Parveen as an honorable and high-ranking poet. Mohammadreza Shafiei-Kedkani, in the book Ba Chirag and Aineh, considers Parvin to be the most independent Persian poet since the time of constitutionalism and with his own style. He also considers the meaning and content of Parvin's poems to be fresh, and in his opinion, this feature has made him the most independent poet of the old school of Persian poetry in the last century. Kadakani considers Parvin's pieces to be the return of a lost historical role. He considers Parvin's contemporaries or even older poets to be influenced by Parvin's poems.
With respect to the high position of this famous Iranian poet, Parnianandish publishing house presents this work to the fans and culture lovers of Iran.
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